YOUR ENTERTAINMENT COMPANION

Alien: Earth blends the dread of the original films with modern storytelling. Sydney Chandler and Timothy Olyphant shine and the sci-fi concepts feel fresh. Despite some pacing bumps, this Earth-bound Alien story mostly works.

Daredevil: Born Again has moments of brilliance, especially when Cox and D’Onofrio share the screen. But buried under new characters, slow pacing, and baffling creative choices, it feels more like an identity crisis than a comeback.

Jason Momoa trades superhero swagger for soulful warrior in Chief of War, a sweeping Hawaiian historical drama that’s as breathtaking as it is deliberate.

Stick isn’t flashy, but that’s what makes it work. Owen Wilson anchors a heartfelt story about redemption and connection, turning a familiar sports-comedy formula into something quietly powerful.

Countdown is smart, intense, and just self-aware enough. Jensen Ackles leads a strong cast through a gripping conspiracy thriller that hits familiar beats, but hits them well. It’s not groundbreaking, but it knows exactly what kind of show it wants to be.

Ironheart had real potential—a strong lead, great visuals, and a meaningful arc. But weak writing, awkward pacing, and baffling choices turn it into one of Marvel’s most frustrating Disney+ shows. You’ll see what could have been, and that’s the hardest part.

Season 2 of The White Lotus is everything you want in TV—sharp, stylish, and completely addictive. Season 3, despite the scenery, struggles to find purpose or pace. One’s a perfect follow-up. The other is a gorgeous misfire.

Murderbot is smart, dry, and oddly emotional—the rare adaptation that understands its source material without over-explaining it. With short episodes, sharp writing, and a pitch-perfect lead, it’s the sarcastic robot show you didn’t know you needed.

Netflix’s The Recruit takes a chaotic CIA desk job and turns it into one of the most unexpectedly entertaining thrillers in recent memory. With sharp writing, grounded action, and a refreshingly human lead, this isn’t your typical spy series.

These are the shows that made my day whenever I came back from school. At least the ones that weren't straight-up cartoons. While a...

Seth Rogen’s The Studio is a sharp and hilarious look at the chaos behind Hollywood. It’s uncomfortable in the best way, turning industry absurdities into moments that are both funny and painfully real.

I started watching Dept. Q, a quietly released series on Netflix, without much contextual marketing coming my way. Having seen a well-known name, Matthew Goode, in the very first scene, it got me hooked. What kept me going is the brilliant intro , and background music- and I kept watching until the very damn end. It did not disappoint! TMJ Rating: 🍿🍿🍿🍿🍿/ 5 The Plot of Dept. Q Netflix Series Carl Morck, played to absolute perfection by Matthew Goode, undergoes a traumatic

Totenfrau or Woman of the Dead is one of those rare series that has so many things going for it, from stylized action pieces to gore as...

Serpientes y Escaleras, or Snakes and Ladders, is a Spanish Netflix Series that starts off as silly as possible but ends in quite a...

The fourth volume of this amazing franchise starts off with quite a disappointing episode, ruining both an amazing Red Hot Chili Peppers...

Murder Mindfully or Achtsam Morden is a thriller dramedy that is very popular these days on OTT platforms, such as Based on a True Story...

Your Friends and Neighbors is a watch-worthy series without much of a plot, but with good execution and a great cast.

If you have enjoyed Love, Death and Robots on Netflix and want a real-life version of the same, then Black Mirror is for you. It is one...

The first time I came across The Last of Us was through a cosplayer named Briarfire , I talked to online who dressed as Ellie. Shortly...

The Bondsman on Prime Video is an entertaining series with Kevin Bacon as a bounty hunter for the devil, deporting demons back to hell, with Beth Grant as his mom having his back. The plot is simple but executed well with CGI and acting.