YOUR ENTERTAINMENT COMPANION

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Forget “will they, won’t they.” Platonic shows what really happens when old best friends reconnect in their 40s—chaos, codependence, and gut-punch honesty.

Stranger Things brings ‘80s nostalgia and lovable characters, while Dark delivers precision storytelling and brain-bending time travel. This comparison unpacks what each show does best, where they stumble, and which one deserves your next binge.

Dying for Sex follows Molly as she defies cancer and convention to explore her sexuality. Michelle Williams and Jenny Slate bring raw energy to this bold, emotional, and unforgettable series.

Kaitlin Olson steals the show in High Potential as a cleaning lady with a 160 IQ who joins the LAPD as a consultant. With clever cases, warm humor, and real heart, it’s a crime drama that feels fresh and fun.

The Phoenician Scheme dazzles with perfect symmetry and pastel precision, but behind the intricate visuals is a story that wanders, stalls, and forgets to feel. Even with standout performances from Benicio Del Toro and Michael Cera, it’s more showcase than cinema.

Daniel Dae Kim and Reina Hardesty light up the screen as a reluctant hero and deadly assassin in Butterfly, while the Seoul setting and emotional stakes give this spy thriller its unique edge.

Foundation is Apple TV+ at its most ambitious: breathtaking visuals, stellar performances, and galaxy-spanning stakes. It’s also dense, slow, and occasionally bewildering—a show that rewards attention but punishes casual viewing.

This review dives into this underrated movie that explores themes of suicide, altruism, romances gone bad, all mixed into a comedy of errors.

A Minecraft Movie throws Jack Black, Jason Momoa, and a portal to the blocky dimension into one chaotic adventure. It’s weird, funny, and far better than it has any right to be.

You’ve seen this movie before, but that doesn’t mean it doesn’t work. The Last Rodeo follows the classic underdog sports formula with heart, warmth, and standout turns from Neal McDonough and Michael T. Williamson. It won’t surprise you, but it might still get you choked up.

Okay, let me just say this upfront - I was not expecting to love ‘Nobody 2’ as much as I did. After the surprise hit that was the first...

Alien: Earth blends the dread of the original films with modern storytelling. Sydney Chandler and Timothy Olyphant shine and the sci-fi concepts feel fresh. Despite some pacing bumps, this Earth-bound Alien story mostly works.

Zach Cregger’s Weapons is a relentless nightmare that blends mystery, paranoia, and raw emotion. With powerhouse performances and nerve-shredding tension, it’s one of the most original horror films in years.

Daredevil: Born Again has moments of brilliance, especially when Cox and D’Onofrio share the screen. But buried under new characters, slow pacing, and baffling creative choices, it feels more like an identity crisis than a comeback.

Jason Momoa trades superhero swagger for soulful warrior in Chief of War, a sweeping Hawaiian historical drama that’s as breathtaking as it is deliberate.

Stick isn’t flashy, but that’s what makes it work. Owen Wilson anchors a heartfelt story about redemption and connection, turning a familiar sports-comedy formula into something quietly powerful.

Captain America: Brave New World should have been Sam Wilson’s breakout moment. Instead, it plays like a half-hearted remix of better movies. Mackie deserves more than a by-the-numbers story with nothing new to say.

It has been quite some time since we've had creators in the spotlight. Here is a conversation with Alejandro the Artist I happened to run...

While cartoons are generally associated with children and mainly as entertainment, it is highly underrated as an art form across the...